He has also been involved in sound mixing fellow Oscar nominated musical La La Land, along with working on other recent releases: Bad Times at the El Royale, Peppermint and The Mule. Interesting! Steve Morrow explained this in his recent interview with The Hollywood Reporter. The crowds are able to cheer and get excited, but they're not really hearing the songs, so it was that process of capturing all that but keeping it really quiet on set and expanding it in post-production, which is what the post mixers did and really put you in the concert. We put it all in her ears, and when you're on set with them, they're basically signing a capella into a microphone that's not amplified to the crowd.
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